

Prelude This volume of the New Horizons Golf Approach Pocket Coach Series focuses on learning to play your wedge shots with confidence. These skills are organized to help you play your wedge shots close enough to one putt. The range of shots I consider wedge play is what I call the Into-The-Green Shots. If you’ve read volume 10 of this series you may recall I consider the shots playing Around-The-Green as Stroke Saving Shots. Around the green meaning immediately around the green, say within 20 yards of the edge of the green. You can think of the Around-The-Green shots as the short game shots you can confidently play close enough to the hole to follow-up with a one-putt. Golfers often feel they can play these shots Up-and-In with one putt at least 50% of the time. Playing Into-The-Green is another story. We still want to play these shots close to the hole, but our first concern is getting them on the green where we can guarantee a two putt. From 30 yards to 75, or even 100 yards out, we are mostly concerned with playing the shot inside the boundaries of the green. Thus we are playing them Into-the-Green. Of course we’d like to play these shots Up-n-In as well. Doing so will allow us to make birdies more often, or to save par when we’ve had to play out of the trees. These shots keep the momentum flowing in our favor when we play them Up-n-In. As you play these shots I encourage you to remember a few points: Golf is an underhanded game, it is helpful to keep your play as natural as possible, and playing athletically with feel encourages us to play more consistently. Let’s review why golf is an underhanded game. Since the ball sits on the ground, we set-up to the ball in an underhanded manner and we return the club thru the ball in an underhanded manner. Volume 10 introduced the basic underhanded motion we called tossing. With this in mind, we will begin our Into-The-Green play with tossing the ball. Tossing with the golf club is a good way of imagining your wedge play, and it is an underhanded motion that is easy to incorporate into your game. Watch tour players preparing to play a short game shot and you will often see them mimic a tossing the ball. Many tour players learned to play these shots by simply tossing balls around a green. First they did so with their hands, then with a golf club. For these players, the basic feel for tossing plays the ball into the air. So, the accomplished player simply learns to toss the ball with the club instead of his hand. The outward feel of the toss, and the outward image of tossing, can establish a strong foundation for your wedge play. As you learn to toss with the golf club, realize that the clubface directs the toss much as the palm directs tossing a ball with your hand. The key is to blend the hand and clubface actions together. The club simply becomes an extension of your hand. So, as you toss the ball with the club, feel where the clubface is facing, and how the ball simply gets in the way of the tossing motion. As I play these tossing shots, I like to imagine that the ball is stuck to the sweet-spot of the clubface. As I swing back it stays stuck to the clubface, then as I swing forward the ball is tossed off the clubface toward the target. So, you can establish clubface awareness by imagining the club and clubface as an extension of your dominant hand. Then imagine the ball being stuck to the clubface and toss it into the air. If you are right-handed, you have the best chance of developing clubface awareness by developing unity between your right hand and the clubface. This is because you have the greatest sensitivity with your right hand. There is a reason your dominant hand is your dominant hand. Your dominant hand has more dexterity than your non-dominant hand. It can acquire a greater sense of feel. In short, it is more educated and can command greater control than your non-dominant hand. Since you have the best chance of feeling where the clubface is facing by using the sensitivity of your dominant hand, and since you need to know where the clubface is facing, let’s get the two working together. I encourage you to consider that this is a very natural way to approach your play. Think of it this way, it's not the use of your hands that causes you to misplay your shots, it's the misuse of the hand that causes misdirected shots. The fact is, if you are naturally right-handed, you are more likely to misuse your left hand than your right hand. Conversely, you're more likely to use your right hand properly than your left hand. So, if you are a very right-handed person, I encourage you to use your natural skills, I encourage you to learn to play with your right hand in control. So let’s play more naturally, let’s get your dominant hand and club working together. Of course, if you are left-handed I encourage you to play left- handed golf by playing from the left-handers side. In either case, if you are left-handed use more left hand, even if you are playing from the right-handers side of the ball. Now, if you are ambidextrous you’ll need to find for yourself what procedure works best. Once the connection between your dominant hand and the clubface is established, you can toss with the club. As you begin tossing with the club, you will most likely realize that you have a tendency to hit at the ball, or maybe you tend to scoop it into the air. Once again, I encourage you to trust the tossing motion. I often have players close their eyes and toss, then open their eyes and toss. About half my students can toss better with their eyes closed. With their eyes closed they simply imagine a good toss, then they react. With your eyes closed, you utilize the powers of your inner eye, which uses all your senses to coordinate the action. Using all your senses makes it easier to use your imagination. You imagine where the target is, you imagine the ball position, you imagine how the tossing motion will feel, and you imagine how the ball will fly. As you continue to train with your eyes closed, you will inevitably experience the proper images time and time again. As you continue to experience how proper imagery produces the desired performance, you'll learn to trust in your powers of imagery. So, you simply need to incorporate your natural tossing skills into your golfing images. This will require the use of your dominant hand and your powers of imagery. So, let’s get to it, let’s learn how to play shots naturally and athletically. |
This is the table of contents from Wedge Play. It may give you some insights as to the topics covered in the New Horizons Golf Approach Pocket Coach Volume Eleven. Table Of Contents Prelude Part One – Playing Around The Green Know The Shots Make A Choice Imagine The Shot Identify The Feel Put It Into Action Swing-Sayings The Strength Of Imagery Part Two – Training The Shots Back-N-Thru Shots Tossing Shots Clipping Shots Cut Under Shots Splashing Shots Brush The Wood Train, Train, Train Part Three – The Summary Review The Shots Let’s Play Golf |
Let’s Play G-O-L-F TM Playing for a target score is only one way of implementing an on course strategy. I believe to truly play the game you cannot worry so much about your scoring strategy. I think everyone is aware of how well they are scoring, and they know they need to score as low as they can. So, since the idea Truly playing the game involves feeling a game that fascinates you. It involves striving to play the type of game you usually dream of playing. It’s about finding out your potential and manifesting it in your play. It’s about engaging yourself in the ongoing drama of sport. It’s about absorbing yourself into the possibility of expressing your true potential. It’s about Gaming Out Life’s Fascinations. So, when you walk out on the golf course, I’m inviting you to take the plunge, to go for it. I’m inviting you to play golf without putting so much emphasis on scoring low. Win or lose, score low or high, enjoy the adventure, keep a good attitude, and take something away from every round that makes you a more accomplished golfer. |
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